TIDEZINE.

Bangkok’s Genetic Analysis Turns Floral Still Life Into a Close-Looking Exercise

Peerawayt Krasaesom’s exhibition runs through November 22 at BACC pop•up G2 in Seacon Square Srinakarin, daily 11am–7pm. Three official artwork images suggest ways to look.

Blake Ho, Visual Editor
Bangkok’s Genetic Analysis Turns Floral Still Life Into a Close-Looking Exercise

Genetic Analysis revisits floral still life through the work of Peerawayt Krasaesom in Bangkok, running October 3–November 22, 2026, at BACC pop•up Gallery G2, on MUNx2’s third floor inside Seacon Square Srinakarin. The organiser’s introduction compares his process to a camera or microscope, examining structures and changes within familiar flowers. This is an exercise in looking through painting; the exhibition title does not indicate genetic testing or scientific laboratory services.

See the bouquet, then the detail inside its petals

The first official artwork image sets red flowers against green, with black leaves reaching outward and a vase on a blue tabletop. From a distance, the still-life arrangement remains recognisable. Closer looking reveals curving lines, dots and repeated shapes inside the petals. White angular lines pass through flowers, foliage and beyond the vase, offering another reading that does not resemble natural stems.

A second work switches to a yellowish background and dark vase while preserving the strong red-flower and black-leaf contrast. White lines cluster across the vessel. Compare how the colours, lines and containers are recombined rather than deciding which bouquet resembles life more closely. These are observations from the supplied images, not invented artwork titles, plant identifications or claims about the complete medium.

Painting of red flowers black leaves and a dark vase on yellow
Official artwork image with yellow ground and a dark vase; no work title supplied.

Rural memories inform an attention to nature

The introduction describes Krasaesom’s rural childhood before moving to the city. Foraging, raising animals and farming encouraged his interest in living forms, structures and characteristics. Alongside his own practice, he works as an art teacher, continuing to use nature to examine meanings of existence. Flowers become more than decoration: they offer a starting point for thinking about how living things form and change.

In a third official image, branches spread farther, with pink and dark petals, green above a red plane, and white lines running among several vase-like outlines. Follow a white line before returning to the patterns inside a flower to experience the shift between composition and detail. The microscope comparison describes a way of observing; it is not evidence that the patterns reproduce published cell images or genetic findings.

Flower composition with several white vase-like outlines
Official artwork image with pink petals, green ground and a red lower plane.

Find Gallery G2 at BACC pop•up

The venue is Gallery G2 on the third floor of MUNx2 at Seacon Square Srinakarin. Use this specific space and address when planning rather than heading automatically to the familiar city-centre BACC building. Published hours are daily 11am–7pm, with MRT Suan Luang Rama 9 listed as a transport reference. No fixed station-to-gallery walking time is supplied; check current mall entrances and venue information before travelling.

On October 30, this is an exhibition already under way, not an opening-day announcement. A complete work count, dimensions and admission price are not listed. Confirm visiting conditions with the venue. A useful question for still-life enthusiasts is how unfamiliar a bouquet can become when petals stop simply describing an appearance. Moving between the whole and its details follows the exhibition’s invitation to change the scale of attention.

Follow what interests you

Start with a brand tag or a section to build your own reading list.

Related

Butterfly & Fish at Bangkok’s SŌKO until November 24: Pi-near and papeterie bring two worlds together
Art

Butterfly & Fish at Bangkok’s SŌKO until November 24: Pi-near and papeterie bring two worlds together

The duo exhibition connects a butterfly and a fish through different creative approaches. Two organiser images offer clues, while Wednesday closures need planning.

Bangkok's BEHIND MY EYES runs until 31 October: reading Hiroka's flowers, floating trees and cats through three paintings
Art

Bangkok's BEHIND MY EYES runs until 31 October: reading Hiroka's flowers, floating trees and cats through three paintings

Hiroka Limviphuvadh's exhibition is at River City Bangkok's second-floor Photographers' Gallery. Together, Keepers and Collective offer a route through colour and form; artwork reproductions should be distinguished from installation photographs.

Munins’ STILL : ON in Bangkok until November 15: bodies, clouds, emotion and memory
Art

Munins’ STILL : ON in Bangkok until November 15: bodies, clouds, emotion and memory

At River City Bangkok’s third-floor RCB Galleria 5, three curatorial concepts connect inner experiences. The October 11 artist tour has ended and is not a daily programme.

Sun Museum’s Unbound Moves Mineral Painting from a Bird to a Soup Can
Art

Sun Museum’s Unbound Moves Mineral Painting from a Bird to a Soup Can

Opening October 30 in Sai Ying Pun, the exhibition brings together 33 works by nine artists through February 28,2027. Three official artwork images suggest different approaches to colour and texture.

Tractions of Gravity in Hong Kong Pairs Suspension with Support
Art

Tractions of Gravity in Hong Kong Pairs Suspension with Support

At HSUHK through November 20, Anderwald and Grond explore weight through photography, sound and video. Visitors must register at least three working days ahead.

Romuald Hazoumè’s My Blue Period Gives Plastic Containers a Face in London
Art

Romuald Hazoumè’s My Blue Period Gives Plastic Containers a Face in London

At October Gallery through November 21, blue containers and found objects become expressive masks. Feathers, fibres and installation views offer different ways into the work.