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Broadway Cinematheque at 30: revisiting films and bringing different audiences into one cinema

The bc 30 bc it’s cinema programme runs until December 16, pairing 30 retrospective films with ten new titles.

Avery Chen, Managing Editor
Broadway Cinematheque at 30: revisiting films and bringing different audiences into one cinema

Hong Kong’s Broadway Cinematheque turns 30 in 2026, with its bc 30 bc it’s cinema programme continuing until December 16. Opened in Yau Ma Tei in 1996, the cinema has long provided screens for independent, experimental and documentary films, alongside work from different regions. A selection of 30 retrospective films and ten new titles celebrates more than a number. It asks how a cinema can continue to build relationships between audiences alongside streaming.

Why choose thirty older films through more than awards?

The retrospective connects with the cinema’s own screening history, rather than serving only as an awards or box-office chart. It includes Shall We Dance?, Buena Vista Social Club, Amores Perros and The Lives of Others. Placing these different films within one programme shows that arthouse viewing encompasses comedy, music, suspense and social observation, with more than one emotional register.

For a newcomer, familiar subject matter can be a starting point. An interest in dance can lead to a story about rediscovering momentum in life. An interest in music can draw attention to the links between performance, a city and moving images. Finding a reason to sit down first, then gradually learning about directors and periods, may leave a stronger memory than turning every essential classic into another checklist.

How do new work and community enter the cinema?

In a recent interview, the cinema’s Didi Wu discusses building a community beyond a single venue. She compares connecting spaces in architecture with cinema’s ability to bring different people into contact. This need not mean abandoning the physical cinema. It suggests keeping programming, events and audience responses in dialogue, so that a programme can reach beyond its most familiar circle of filmgoers.

A cinema also has a rhythm that a solitary screen finds difficult to reproduce: entering, the lights going down, spending time together and leaving with different impressions. Disagreement over a film does not mean a conversation has failed. Explaining the reasons can turn a screening into a discussion. New titles in the anniversary programme ensure that the discussion extends beyond shared memories of the past.

How can viewers check screenings and plan a return visit?

The official Broadway Circuit special-programme page lists bc 30. Buena Vista Social Club was listed for October 29 at 7:40pm, with a standard ticket price of HK$100. Times, running lengths and subtitles for other films appear on their respective pages. Not every screening has the same price, so planning should begin with a film title rather than only the anniversary programme’s closing date.

For several visits within one season, consider alternating a familiar film with an unfamiliar new one. The first allows comparison with how your own viewing has changed; the second leaves room for an unexpected opening in perspective. The meaning of Broadway Cinematheque’s thirty years lies beyond collecting a list of good films. It lies in maintaining a place in Yau Ma Tei where different kinds of cinema and audiences with different experiences can still meet.

Restaurant scene from We Are Born Good
The new film We Are Born Good appears in the anniversary presentation.

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