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Sinners at CAAM: Sammie’s guitar connects Black music, clothing and shared memory

Open since 20 October, Sinners: Sounds That Summon runs in Los Angeles through 14 March 2027 with instruments, costumes and archives from the film.

Blake Ho, Visual Editor
Sinners at CAAM: Sammie’s guitar connects Black music, clothing and shared memory

The California African American Museum (CAAM) in Los Angeles presents Sinners: Sounds That Summon from 20 October 2026 to 14 March 2027. Co-organized with Warner Bros. Archives and curated by independent curator Imani Y. Haynes, the exhibition begins with Club Juke in Ryan Coogler’s 2025 film Sinners. Already open, it asks how cinematic sound, clothing and relationships can become material for examining culture.

A guitar connects a character with generations of music

At the centre is the guitar used by protagonist Sammie “Preacher Boy” Moore, surrounded by costumes, objects and production archives. In the film, music brings traditional African ritual, earlier Black performance and contemporary street dance into one scene. The museum places that span of time between tangible objects and images, without reducing its subject to a plot summary.

The guitar has two roles: a production prop and the instrument through which a character becomes heard. Music fans can consider how an instrument carries memory; film audiences can return through a recognizable object to understand a scene’s force. These approaches can coexist, and neither requires a complete knowledge of music history as an entry condition.

Clothes and movement take sound beyond hearing

Costumes and archives remind visitors that musical culture is more than a recording. Silhouettes, bodily movement, places of gathering and ways of recognizing one another can travel with rhythm. Objects do more than prove that they appeared on screen: they offer a way to consider how different elements build a community’s life together.

The published film stills accompanying this article show Club Juke’s guitar and drummer, alongside promotional artwork. They illustrate the music sequence and are not photographs of museum galleries. They help identify instruments, spatial relationships and clothing, while the exhibition’s actual arrangement, sound and circulation need an in-person encounter or official installation documentation. Film scenes should not be mistaken for records of a museum visit.

Free entry, with Los Angeles local times

CAAM is in Exposition Park at 600 State Drive. Official visitor information lists free admission with no reservation needed for a general visit. Galleries open Tuesday to Saturday from 10am to 5pm and Sunday from 11am to 5pm; Mondays are closed, with specific holiday arrangements. These are Los Angeles local times, and program bookings should be distinguished from ordinary entry rules.

Related events include a curatorial walkthrough on 27 October from 2pm to 3pm and a Design Hive workshop on 31 October from 2pm to 3:30pm. The latter uses small translucent lanterns and LED tea lights to respond to the film’s atmosphere; free registration is encouraged and walk-ins are welcome. Consult the official CAAM exhibition page for the show and program arrangements. Its central thread remains how sound carries memory, style and shared life.

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